Herstory...

designmake… to grow and (un)become. 

My creative practice is…

Embodied … a dialogue, resisting compartmentalisation…disrupting categorisation.
Weaving… repairing, reconstructing, reconnecting…
Healing … a way of being.

I value  authenticity, compassion, creativity, connection and learning. I aim to creatively activate change, drawing on principles of critical creativity, critical pedagogy and “good ancestor” thinking.

Visual art, craftivism, learning design,  digital/ IT design and project management, facilitating learning/unlearning, music, research, poetry and writing are practices that I use to create space and opportunities for dialogue, connection, compassion , positive social action and outcomes. 

My herstory – has been whitewashed over many generations by coloniality – undocumented in history and “official” records.
It is the lived/denied experiences, the stories of my ancestors – told/unsaid/edited and erased but embodied intergenerationally.
I am a perpetual migrant, granted permission by settler/invaders to seek refuge, live and become a citizen on unceded land. 

My creative practice enables me to unlearn and (un)become.

Through my creative practice I commit to developing my cultural capability and “good ancestor” practices and advocating for social justice action within the disciplines  I work in , and communities that I live and create in.

I am interested in collaborations and projects that focus on:

  • creativity and wellbeing
  • performativity, identity and storytelling through art practice
  • decolonising art and design narratives
  • creativity and healthy ageing
  • creativity for compassion, healing and social justice
  • social activism via the arts
  • localisation and regenerative futures.
  • designing and using digital spaces for collaboration and social change.

Professional experience

 

An outline of selected professional experience in art and design is outlined here.
 For more information  please see my resume via LinkedIn